Showing posts with label mark andy garcia. Show all posts
Showing posts with label mark andy garcia. Show all posts

17.2.17

Vision Petron: Fifteen Artists for the First Fifteen


BY JAY BAUTISTA |


It’s that intangible quality in a painting, a quality so distinct, so unique that onlookers would say, ‘Now that’s a Filipino painting!’

Arturo Luz, 1953


A recent study conducted by the University of Oxford concluded that it is neither class nor status that makes one an artist. Rather it is in the manner one is educated that inspires him; how conducive his community influences him that enables his thoughts and feelings expressed on canvas or paper and create value in art. 
When Vision Petron National Student Art Competition (formerly called ArtPetron) was conceptualized 15 years ago, its sole desire was to inspire the next generation of painters to hone their art, excel and n the process, rediscover and appreciate Filipino culture, the long-time advocacy of Petron. While other existing art contests catered only to fine arts students, Vision Petron opened the opportunity to all college students and those enrolled in a museum-based art classes believing that creativity is not exclusively confined in artist studios and the academe. Petron thus positioned itself as an art patron of the talented youth.


In the course of running the contest we have been witness to some young artists who have shown promise at the onset of their soon-to-be flourishing careers. Here are fifteen of our best painters who we had the privileged of seeing them break their first light in art.    

El Viaje Familoia by John Paul Antido
JOHN PAUL ANTIDO (b.1982)

John Paul Antido is a hall famer having won in 2002 and 2005. A member of Antipolo-based Sanviaje Japs has a peculiar style of painting which is done by impasto technique laying thick paint with finite textured brushstrokes using vivid colors with light hues. With five solo exhibitions travelling has been his constant theme. He has also done illustrations for a children’s book and lately he has dabbled photographer where portraiture is his forte. His paintings were recently featured in a children’s book.


ROBERT BESANA (b.1976)

Manwal by Robert Besana
One of our first grandprize winner in 2001, Besana has always investigated the contemporary possibilities of materiality and perception. His winning work Manwal makes the viewers rotate their gaze as he captures children play a game of slippers giving this a unique perspective. He is now a director at the School of Multi-Media Arts at the Asia Pacific College where he is respected and has proven the best teachers of art are those that actively practice it.



CHARLES BUENCONSEJO (b. 1984)
Multi-media preoccupies Buenconsejo’s work while employing his deep foundation for photography where he was first recognized being first hall of fame in this category. He has won the Ateneo Art Awards two consecutive years and has done residencies in Visual Arts Center in La Trobe University in Australia. His art was shown in his solo exhibitions such as Unending Void, Destination Unknown, and Reality is a Hologram is infused with his inquiries on science. Sometimes to question is enough response. 
Children of the Fields by Charles Buenconsejo














 JOEY COBCOBO (b.1983)
The call of the indigenous is intrinsic to Cobcobo who come from a lineage of Ifugao wood carvers in the north. He has rediscovered his technique by employing a multiple layer of images done thou various media done in heavily indented prints. His subject matter pays homage of his tribal roots to the personal relationships we Filipinos value like our elderly and families. A CCP 13 Artists Awardee he now teaches in his alma mater Technological University of the Philippines.


                                                                   MARK ANDY GARCIA (b.1984)
Punong Puno ng Pag-ibig by Mark Andy Garcia
A graduate of Technological University of the Philippines, Mark Andy Garcia has won three runners up and a grand prize win. A recent CCP 13 Artists Awardee for 2015, he won grandprize in Metrobank Art and Design Excellence in 2007 and Juror’s Choice Award of Excellence for Philip Morris in 2008. Garcia paints autobiographical works bordering on his personal tragedies and joys despite the ruggedness and the raw texture of his works Garcia remains optimistic in his process, a kind of salvation Garcia wants us all to have.

FLORENTINO IMPAS (b. 1970)
What make Vision Petron unique is it is open also to students of museum-based painting classes where we discovered homegrown talents like Florentino Jun Impas. One of Cebu’s most sought after artist. He is also portraitist of choice of cardinals, bishops and has even been invited to the Vatican for a sit down with the religious there. Impas has done the official portrait of St. Lorenzo Ruiz of what we all are familiar with. He had significant solo exhibitions at the SM Art Center in 2009- “Portraits and Figures” and 2011- “Circle of Life”, Metropolitan Museum of Manila and 2014- “Kalendaryo Festival”, SM Art Center, SM Megamall, Mandaluyong City. This year he participated in painting Art and Anthropology at the Chicago Field Museum Mural Painting “Art ad Antropology” in the United States of America.
JEFFREY SALON (b. 1986)
Salon is a hall of famer having won in 2005 and 2010. Mark by his own realism and monotone palette, Salon is old school with his palette focusing on children and their plight and welfare. He has had solo exhibitions at the SM Art Center, Nineveh Art space and Singapore. He won in Sining PSE National Art Competition and the Miguel Malvar National Art Competition.
 
MARK SALVATUS (b. 1980)
Balwarte ni Lolo, Aming Munting Kastilyo by Mark Salvatus
Even when he joined ArtPetron and submitting wall bound paintings, Salvatus was always one step ahead of his contemporaries. For his winning piece in ArtPetron 2 he used red car paint Salvatus won the most white he etched with a white primary base his figures to come up with a toned down but still celebratory image of the Pahiyas from his hometown in Lucban. Always on the experiment for new technologies to debunk old myths found in history or even memory, he now and then gets to be invited in biennales and residencies while keeping his focus on his contemporary practice here. A product of UST Fine Arts where he taught for a time, Salvatus is a CCP 13 Artists Awardee and runs his art collective 98B virtually or wherever he is. 
ARTURO SANCHEZ (b. 1980)
Sanchez is proof that someone so technical can be the most artistic. Sanchez took up architecture at the Technological Institute of the Philippines. Mirrors have always fascinated Sanchez in fact his pieces are meticulously done by etching selected magazine images to reflect his art on the mirror. Based in the art town of two national artists, Sanchez has exhibited in local galleries and his artworks have participated in the auction houses in Hong Kong and Singapore. He won the Grand prize Philip Morris Philippine Art Awards 2013.
Market in Motion by Paul Quiambao
 CJ DE SILVA-ONG (b. 1987)
De Silva-Ong is a graduate of UP Diliman College of Fine Arts and award winning creative director at TBWA\Digital Arts Network. Right after graduating, she handling brands where she has been recognized in local and international shows: she has won in AdFest, Spikes Asia, One Show, D&AD and is part of the team that bagged the country's first Webby.

CJ is also a well-known painter. Versatile in her own illustration, her book covers for Sen Miriam Santiago “Stupid is Forever” have recently been lauded.


Ober Ober by Orley Ypon
RONALD JERESANO (b. 1984)
Social realism served its artistic purpose the turbulent times during Martial Law. With its strong political content the movement’s aesthetics revolves around anatomies of people as allegories to the dark perils of our country. Jeresano is a proud heir to social realism as his images speak of  our emancipation as a nation. He has won other major art competition and had solo exhibitions locally and abroad. 
RAFFY NAPAY (b. 1986)
From two-dimensional works, EARIST graduate Napay shifted into threads and fabrics into his canvases. Often dealing with his personal life, he stitches, tufts and weaves stories from memory. He has won in Metrobank Arts and Design Excellence, Ateneo Art Awards 2013. He had artist residencies in Artesan Gallery and Studio in Singapore in 2013 and Liverpool Hope University in Liverpool United Kingdom last year. He just attended the Florence Biennale in Italy. 
JAMES ONA (b. 1986)
Tulay ng Kalakalan at Hanap Buhay by James Ona
Despite the surplus of the DSLR cameras it takes an amount of time and dedication for a master lensman to emerge. Trained as a photojournalist in his alma mater PUP Manila, Ona would eventually cover more important events for his corporate clients. He does art photography for Studio 5 Designs coffee table book projects. He continues to work and teach for PUP Manila.

PAUL QUIAMBAO (b. 1991)
There are only three photographers in this list Quiambao is the one who seeks to elevate photography the most into an art form it rightfully deserves. School spirit runs deep for him UST in particular where he graduated with a degree in architecture. With his loyalty and perseverance Quiambao has been bestowed as UST’s quadricentennial photographer during its celebration in 2011. Motion and depth best describe his images. Remote islands has of late fascinated him most specially Batanes which he has visited many times over and he has photographed extensively.

ORLEY YPON (b.1973)
When Ypon won in the first ArtPetron in 2001 National Artist Napoleon Abueva commented that “he has Amorsolo’s light.” Based in Cebu, Orley is one of ArtPetron’s first grand prize winners and our first hall of famer for painting. A self-taught artist, realism has been Ypon’s trademark having been influenced by the master Martin Abellana. He has had an art residency last year at the Artist Renewal Center in New York. Our first hall of famer in Painting Ypon has come full circle as was our judge in the recent and previous Vision Petron. His first solo exhibition Bidlisiw (
-->sunrise) at the Altro Mondo Gallery is still ongoing. 

13.11.09

Philippine Art and Its Discontents

By Jay Bautista
Good things happen on Friday the thirteenth. We have been informed that the blog you are now reading won in the Art Category in the 3rd Digital Filipino Awards. Formal awarding will be this afternoon during the two-day E-Commerce Summit scheduled November 12-13, 2009 at the Hotel Intercon in Makati City.
                                             the place I hate yet loved by Mark Andy Garcia, 2008

Like a true blogger, allow us to accept the recognition by way of how it was given to us – on our blog.

Let me remind everyone that it was in a painting competition that we had our first international recognition. At the Exposicion Nacional de Bellas Artes, Juan Novicio Luna won the silver medal at the Madrid Art Exposition of 1881 for the seminal work, Death of Cleopatra, which he made while studying in Rome. Held every three years at the Salon in Madrid, the 26-year old Luna would even win the first gold medal for the masterpiece Spolarium three years later.

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                                                       Blue Moon by Jaime Gubaton, 2008

A year and a half, or should we say after more than 30,000 hits when we started out this art blog, with the responsibilities of museums ever decreasing through the years while the constant increase and eventual expansion of commercially artistic centers for contemporary art emerges, the role of art blogs have become even more relevant and has changed the geography of the art scene and how it operates. In this age of auctions and artists without even a career benefiting from it, art blogs should be committed to advocating Philippine visual art scene not generally covered by the mainstream media, or what we usually find in the lifestyle pages. There seems to be a dearth of not just critical writing but of serious reporting on well-conceptualized, innovative, and significant contemporary Philippine art both by young and consistently evolving artists, as well as established Philippine masters who continuously hone their craft and search for their meaningful representations.



                                                     Kanluran by John Paul Antido, 2008

Through our art blog, we encourage critical dialogue between the discriminating tastes of both the art collectors and patronizing public with the creative ambitions of current practicing artists. As we are open to feature experimentation and fresh approaches in art, we see paintings and sculptures should be fully embodied and its social function is not lost on its academic discourse or materialist culture.

Our art blog makes Philippine art accessible to everyone with just a click away. As people are so busy either making the next deal or finding the next meal, we assure you that as you support Philippine art, you devote in a different attitude, a new way of looking at things. It is an exchange that enriches your life, as it has on ours.

28.5.08

A Heart Humbled by God, and Other Expressions of Faith

BY MADS BAJARIAS | I find that it takes a fair amount of self-reflection and maturity before an artist attempts a self-portrait. When 23-year-old artist Mark Andy Garcia sent me a picture of his “Self-Portrait with A Two-Edged Sword” to view, I was struck by what I believed to be a strong biblical undercurrent in the image of the “two-edged sword” being held by a seated figure with a bleeding heart.

I haven’t read the Bible in the long time but I vaguely recall that the image of a two-edged sword was meant to convey how the Word of God was sharper than the deadliest weapon. Many past masters have used the Bible as an inspiration for their art, and the young Garcia follows in this long and illustrious tradition.

I had the good fortune to ask Garcia a few questions about “Self-Portrait with A Two-Edged Sword.”

Tell us about the medium you used and the dimensions of this piece.

MAG: Oil on canvas, 48 x 36 inches, painted in 2008.

Where and when was this painting first shown?

MAG: It's being shown at West Gallery in Quezon City until June 11.

Does this work refer to a Bible passage about the word of God being sharper than a two-edged sword? If not, what does the two-edged sword mean?

MAG: Yes, it’s something like that. The image of the Word of God being sharper than any double-edged sword is from Hebrews 4:12. But there is also a personal context to it: in the portrait, the double-edged sword in my hand refers to my being both a Christian and an artist who seeks to find the truth.

Do you consider yourself on a spiritual mission? What mission is this?

MAG: I belong to the Lighthouse Bible Baptist Church. It is the mission of each member of the New Testament Church to spread the Word about the Savior and salvation through Jesus Christ. As an artist I take it as my personal ministry to create paintings with evangelical themes. I feel that it is my responsibility. It’s like being a preacher. A preacher tries his best to spread the Word of God to many different audiences. Sometimes, he is listened to, sometimes he is ignored or even refuted and scorned. It can’t be helped. That is like how I feel—I cannot control how people will react to me or my mission, but I am certain of my role and I perform my duty the best I can.

There is what looks like a bloody gash on the figure's left breast, can you tell us about that?

MAG: That is meant to represent my heart humbled in the presence of God. To be honest, it was only after I had finished the painting that I added the blood on the heart. My art is my journal where I record my thoughts and feelings. I am the first to feel blessed whenever I finish a painting which was inspired by the Bible or by the lessons from my pastor’s preaching. Even before I show the painting to anyone, I feel blessed, and it is as if my heart melts ("parang nalulusaw") when it is touched by the Word of God.

Can you tell us where the idea behind this self-portrait came from?

MAG: It was inspired by Acts 1:8, “But ye shall receive power, after that the Holy Ghost is come upon you; and ye will be witnesses unto me both in Jerusalem, and in all Judea, and in all Samaria, and unto the ends of the earth.” I guess I combined the idea of Hebrews 4:12 about the Word of God being sharper than any two-edged sword and Acts 1:8, and I related these messages to my personal life as a Christian and artist and I suddenly realized that the process of thinking about all these ideas was beginning to produce something special. The result of this was the self-portrait.

What do you think is the appeal of this painting to those who have seen it?

MAG: I think the strong contrast between the image of the sword and the meek appearance of the seated figure is the reason that this painting has received the attention of many.

What age were you when you made this self-portrait? Some artists create a series of self-portraits as they grow older to mark the passage of time and the changes in them. What does this self-portrait say about this stage of your life?

MAG: I painted it this year. I am 23 years old. I agree that it would be interesting to do self-portraits as one grows older. I wonder how I would look like in the next one? (Smiles).

The distant houses to the right of the seated figure look like non-Philippine-styled houses, can you tell us why you placed them there on the canvas?

MAG: In Acts 1:8, three places are mentioned: Jerusalem, Judea and Samaria. These places represent the journey of a Christian. Jerusalem represents the places where a Christian starts spreading the Word of God. It means the place where you, your friends and family live. When a Christian’s mission is done in Jerusalem, he moves to the next town, represented by Judea. After Judea, the Christian moves farther and to more distant places represented by Samaria. Anywhere he goes, no matter how far, God will always be with him. As written in Matthew, “I’m always with you even unto the end of the world.”

Can you tell us when you started painting?

MAG: I started painting in 2003 when I was still a student. That was also the time I started joining art competitions. After I finished college in 2005, I worked as a graphic designer, then after seven months I worked abroad for a year. When I came back last year I made a decision to become a full-time artist. This was what I wanted to do—to paint.

Which painters would you say influenced your current style?

MAG: If you're asking which painters I admire, I'd say the Impressionists and Expressionists like Vincent Van Gogh, Edvard Munch and Paul Cezanne. Who else? I can’t think of other names now. I like art which is based on personal experiences. I like artists who are true to themselves.

Where can people go to see your works?

MAG: My show is still ongoing at West Gallery, West Avenue in Quezon City, until June 11.

Thank you very much, Andy.

Salamat din sa 'yo.