Showing posts with label mark salvatus. Show all posts
Showing posts with label mark salvatus. Show all posts

17.2.17

Vision Petron: Fifteen Artists for the First Fifteen


BY JAY BAUTISTA |


It’s that intangible quality in a painting, a quality so distinct, so unique that onlookers would say, ‘Now that’s a Filipino painting!’

Arturo Luz, 1953


A recent study conducted by the University of Oxford concluded that it is neither class nor status that makes one an artist. Rather it is in the manner one is educated that inspires him; how conducive his community influences him that enables his thoughts and feelings expressed on canvas or paper and create value in art. 
When Vision Petron National Student Art Competition (formerly called ArtPetron) was conceptualized 15 years ago, its sole desire was to inspire the next generation of painters to hone their art, excel and n the process, rediscover and appreciate Filipino culture, the long-time advocacy of Petron. While other existing art contests catered only to fine arts students, Vision Petron opened the opportunity to all college students and those enrolled in a museum-based art classes believing that creativity is not exclusively confined in artist studios and the academe. Petron thus positioned itself as an art patron of the talented youth.


In the course of running the contest we have been witness to some young artists who have shown promise at the onset of their soon-to-be flourishing careers. Here are fifteen of our best painters who we had the privileged of seeing them break their first light in art.    

El Viaje Familoia by John Paul Antido
JOHN PAUL ANTIDO (b.1982)

John Paul Antido is a hall famer having won in 2002 and 2005. A member of Antipolo-based Sanviaje Japs has a peculiar style of painting which is done by impasto technique laying thick paint with finite textured brushstrokes using vivid colors with light hues. With five solo exhibitions travelling has been his constant theme. He has also done illustrations for a children’s book and lately he has dabbled photographer where portraiture is his forte. His paintings were recently featured in a children’s book.


ROBERT BESANA (b.1976)

Manwal by Robert Besana
One of our first grandprize winner in 2001, Besana has always investigated the contemporary possibilities of materiality and perception. His winning work Manwal makes the viewers rotate their gaze as he captures children play a game of slippers giving this a unique perspective. He is now a director at the School of Multi-Media Arts at the Asia Pacific College where he is respected and has proven the best teachers of art are those that actively practice it.



CHARLES BUENCONSEJO (b. 1984)
Multi-media preoccupies Buenconsejo’s work while employing his deep foundation for photography where he was first recognized being first hall of fame in this category. He has won the Ateneo Art Awards two consecutive years and has done residencies in Visual Arts Center in La Trobe University in Australia. His art was shown in his solo exhibitions such as Unending Void, Destination Unknown, and Reality is a Hologram is infused with his inquiries on science. Sometimes to question is enough response. 
Children of the Fields by Charles Buenconsejo














 JOEY COBCOBO (b.1983)
The call of the indigenous is intrinsic to Cobcobo who come from a lineage of Ifugao wood carvers in the north. He has rediscovered his technique by employing a multiple layer of images done thou various media done in heavily indented prints. His subject matter pays homage of his tribal roots to the personal relationships we Filipinos value like our elderly and families. A CCP 13 Artists Awardee he now teaches in his alma mater Technological University of the Philippines.


                                                                   MARK ANDY GARCIA (b.1984)
Punong Puno ng Pag-ibig by Mark Andy Garcia
A graduate of Technological University of the Philippines, Mark Andy Garcia has won three runners up and a grand prize win. A recent CCP 13 Artists Awardee for 2015, he won grandprize in Metrobank Art and Design Excellence in 2007 and Juror’s Choice Award of Excellence for Philip Morris in 2008. Garcia paints autobiographical works bordering on his personal tragedies and joys despite the ruggedness and the raw texture of his works Garcia remains optimistic in his process, a kind of salvation Garcia wants us all to have.

FLORENTINO IMPAS (b. 1970)
What make Vision Petron unique is it is open also to students of museum-based painting classes where we discovered homegrown talents like Florentino Jun Impas. One of Cebu’s most sought after artist. He is also portraitist of choice of cardinals, bishops and has even been invited to the Vatican for a sit down with the religious there. Impas has done the official portrait of St. Lorenzo Ruiz of what we all are familiar with. He had significant solo exhibitions at the SM Art Center in 2009- “Portraits and Figures” and 2011- “Circle of Life”, Metropolitan Museum of Manila and 2014- “Kalendaryo Festival”, SM Art Center, SM Megamall, Mandaluyong City. This year he participated in painting Art and Anthropology at the Chicago Field Museum Mural Painting “Art ad Antropology” in the United States of America.
JEFFREY SALON (b. 1986)
Salon is a hall of famer having won in 2005 and 2010. Mark by his own realism and monotone palette, Salon is old school with his palette focusing on children and their plight and welfare. He has had solo exhibitions at the SM Art Center, Nineveh Art space and Singapore. He won in Sining PSE National Art Competition and the Miguel Malvar National Art Competition.
 
MARK SALVATUS (b. 1980)
Balwarte ni Lolo, Aming Munting Kastilyo by Mark Salvatus
Even when he joined ArtPetron and submitting wall bound paintings, Salvatus was always one step ahead of his contemporaries. For his winning piece in ArtPetron 2 he used red car paint Salvatus won the most white he etched with a white primary base his figures to come up with a toned down but still celebratory image of the Pahiyas from his hometown in Lucban. Always on the experiment for new technologies to debunk old myths found in history or even memory, he now and then gets to be invited in biennales and residencies while keeping his focus on his contemporary practice here. A product of UST Fine Arts where he taught for a time, Salvatus is a CCP 13 Artists Awardee and runs his art collective 98B virtually or wherever he is. 
ARTURO SANCHEZ (b. 1980)
Sanchez is proof that someone so technical can be the most artistic. Sanchez took up architecture at the Technological Institute of the Philippines. Mirrors have always fascinated Sanchez in fact his pieces are meticulously done by etching selected magazine images to reflect his art on the mirror. Based in the art town of two national artists, Sanchez has exhibited in local galleries and his artworks have participated in the auction houses in Hong Kong and Singapore. He won the Grand prize Philip Morris Philippine Art Awards 2013.
Market in Motion by Paul Quiambao
 CJ DE SILVA-ONG (b. 1987)
De Silva-Ong is a graduate of UP Diliman College of Fine Arts and award winning creative director at TBWA\Digital Arts Network. Right after graduating, she handling brands where she has been recognized in local and international shows: she has won in AdFest, Spikes Asia, One Show, D&AD and is part of the team that bagged the country's first Webby.

CJ is also a well-known painter. Versatile in her own illustration, her book covers for Sen Miriam Santiago “Stupid is Forever” have recently been lauded.


Ober Ober by Orley Ypon
RONALD JERESANO (b. 1984)
Social realism served its artistic purpose the turbulent times during Martial Law. With its strong political content the movement’s aesthetics revolves around anatomies of people as allegories to the dark perils of our country. Jeresano is a proud heir to social realism as his images speak of  our emancipation as a nation. He has won other major art competition and had solo exhibitions locally and abroad. 
RAFFY NAPAY (b. 1986)
From two-dimensional works, EARIST graduate Napay shifted into threads and fabrics into his canvases. Often dealing with his personal life, he stitches, tufts and weaves stories from memory. He has won in Metrobank Arts and Design Excellence, Ateneo Art Awards 2013. He had artist residencies in Artesan Gallery and Studio in Singapore in 2013 and Liverpool Hope University in Liverpool United Kingdom last year. He just attended the Florence Biennale in Italy. 
JAMES ONA (b. 1986)
Tulay ng Kalakalan at Hanap Buhay by James Ona
Despite the surplus of the DSLR cameras it takes an amount of time and dedication for a master lensman to emerge. Trained as a photojournalist in his alma mater PUP Manila, Ona would eventually cover more important events for his corporate clients. He does art photography for Studio 5 Designs coffee table book projects. He continues to work and teach for PUP Manila.

PAUL QUIAMBAO (b. 1991)
There are only three photographers in this list Quiambao is the one who seeks to elevate photography the most into an art form it rightfully deserves. School spirit runs deep for him UST in particular where he graduated with a degree in architecture. With his loyalty and perseverance Quiambao has been bestowed as UST’s quadricentennial photographer during its celebration in 2011. Motion and depth best describe his images. Remote islands has of late fascinated him most specially Batanes which he has visited many times over and he has photographed extensively.

ORLEY YPON (b.1973)
When Ypon won in the first ArtPetron in 2001 National Artist Napoleon Abueva commented that “he has Amorsolo’s light.” Based in Cebu, Orley is one of ArtPetron’s first grand prize winners and our first hall of famer for painting. A self-taught artist, realism has been Ypon’s trademark having been influenced by the master Martin Abellana. He has had an art residency last year at the Artist Renewal Center in New York. Our first hall of famer in Painting Ypon has come full circle as was our judge in the recent and previous Vision Petron. His first solo exhibition Bidlisiw (
-->sunrise) at the Altro Mondo Gallery is still ongoing. 

18.6.10

Ateneo Art Awards 2010 Shortlist Announcement

From the Publicity Department

The Ateneo Art Gallery, which is celebrating its 50th anniversary as the country's first modern art museum this year, is pleased to announce the 12 artists short-listed for the Ateneo Art Awards 2010: Shattering States. They are:

Frankie Callaghan for Dwelling
Silverlens Gallery
9 September to October 3 2009
Joey Cobcobo for 7 Heads and 10 Horns
Avellana Gallery
6 May to 30 May 2009

Kiri Dalena for The Present Disorder is the Order of the Future
Mo_
30 January to 7 March 2010
Mark Salvatus for Sungduan 5: Daloy ng Dunong
Museum of the Filipino People, National Museum
30 September to 15 November 2009

Riel Hilario for Aniwaas
Art Informal
3 to 20 September 2009

Pow Martinez for 1 Billion Years
West Gallery
4 June to 6 July 2009

Jan Leeroy New for Corpo Royale
The Drawing Room
27 February to 17 March 2010


Kawayan de Guia for Katas ng Pilipinas: God Knows Hudas Not Pay
The Drawing Room
21 November to 12 December 2009

Patricia Eustaquio for Dear Sweet Filthy World
Silverlens Gallery
17 March to 17 April 2010

Michelline Syjuco for Draped in Silk
Yuchengco Museum
1 July to 29 December 2009

Rodel Tapaya for Thrice Upon a Time: A Century of Story in the Art of the Philippines
Singapore Art Museum
14 November 2009 to 31 January 2010
Leslie de Chavez for Buntong Hininga
Silverlens Gallery, Slab and 20 Square
22 April to 22 May 2010



The Ateneo Art Awards are given to Filipino visual artists below the age of 36 who in the past year have shown outstanding work which, in the opinion of the jury, has contributed to the development of contemporary art. The three winners of the Awards will have the opportunity to be selected for artist-in-residence programs at Art Omi, New York, USA; La Trobe Visual Arts Center, Victoria, Australia; Artesan Gallery, Singapore; and Common Room Networks Foundation in Bandung, Indonesia. The Ateneo Art Awards are presented by the Ateneo Art Gallery, Shangri-la Plaza, Metro Society, Y-style of the Philippine Star and Unionbank, and sponsored by Picasso Serviced Residences.The works of the short-listed artists will be exhibited at the Grand Atrium of the Shangri-la Plaza, Edsa corner Shaw Boulevard from August 6-16, 2010. For more information, please contact Ian Jaucian, Ateneo Art Awards Project Coordinator, at 426-6488 or email ijaucian@ateneo.edu.

13.6.08

The Sad Fluency of Wrapped Objects

The patterns signify the act of covering the identity of an object (like wrapping with cloth or paper in the way that the Egyptians did with their mummies). I want to preserve the object's form but hide its character or features so it becomes like a guessing game: What kind of object is that?

In the community of Gogol, Korea, I asked the residents' help to trace around the shapes of their personal belongings as a way of preserving them as evidence, as a record or proof. Then we drew the shapes with "wrapped patterns" on the wall of a house-like structure (like how cavemen recorded their everyday lives).

I am recording a kind of history in Gogol where people in the community participate in by using everyday objects as proofs of their time, their existence, their milieu. Since a lot of developments are in full swing in Korea, small houses are being knocked down to make way for new and posh buildings. I want to make a marker before Gogol will be razed and transformed into a new and ritzy city, a marker that the community joined in making.—
Mark Salvatus
BY JAY BAUTISTA | Exactly a year ago, this artist statement was written by Mark Salvatus, a 28-year-old artist and curator, for an exhibition entitled "Wrapped" as part of his residency at the Goyang Art Studio Gallery in Seoul, South Korea. The response to his show was overwhelming and it led to artistic collaborations in communities in Bandung, Indonesia and in Barcelona, Spain. In the Philippines, the drawing stretched up to Angono in Rizal and Globo de Oro in Manila.

What makes Mark’s position as an artist significant is that he was born and raised in Lucban, Quezon, and he has a special perspective in that he has been an artist not only in Manila, but abroad as well. Aside from South Korea, Mark’s artistic pursuits have been recognized in Europe. He has been given artists' residencies in Can Serrat International Art Centre in Barcelona, Spain and recently in Bodrum, Turkey, where he got to meet different artists and curators.

He states, “Being in Lucban changed my artistic practice, with the use of different media and experimentation which shows in my current art. My roots will always be in Lucban. As they say, you can take me out of Lucban but you cannot take Lucban out of me.”

As all great artists are born and not made, Mark is not only good with paints and watercolor but even his illustrations have graced numerous books for Filipino children. He has made six children’s books, most of which have won the prestigious Philippine Board on Books for the Young (PBBY) Award like Papa’s House, Mama’s House in 2004 and the National Book Awards for The Cat Painter in 2006.

Mark’s way of giving back to the community is by teaching. His three-year stint in the University of Santo Tomas College of Fine Arts is something he cherishes most. It was there where his theories on art were put to the test. He was even instrumental in increasing UST’s participation to ArtPetron and UST has since made participation in ArtPetron a requirement for its students. A product of this art competition himself, Mark believes that through competitions an artist builds confidence in making and presenting his formal works.

Mark adds, “I also learned not to compete with other artists, but to compete with myself.”

It's not only to adults that he is interested in imparting knowledge. He is also active in Raya, an art school in Quezon City, that advocates Filipino values and history.

On His Mark
Mark is also active in helping many artists' initiative like Tutok and the Pilipinas Street Plan (a community of street artists). Since he is a full-time artist he does many different commissioned jobs like illustrations, designs and others to support his art.

Last February, Mark added another feather to his ever-growing cap—as curator of Common Spot in Tutok: 2tok at the Sambalikhaan Artists' Village in Quezon City. The exhibition, "Common Spot" deals with graffiti/street art which is part-mural painting and part-performance as an artistic practice. Recently, street art has caught the attention of contemporary analysts and even art critics who have begun to see artistic value in some works of graffiti and has recognized it as a form of public art. This means that public walls, traffic signs and buildings are now becoming gallery spaces. Street art empowers groups of artists that have no representations in the formal art world.

Mark considers an older generation of artists like Jose Tence Ruiz, Mideo Cruz and Alfredo Aquilizan as his influences.

Tence Ruiz says, “Mark represents a batch of visual practitioners interested both in the specifically and philosophically personal, as well as the socially sympathetic. He is multi-awarded but more than that, possessed of a ken for exploration, whether it be through painting, utilitarian graphic design, provocative and materially innovative installation and web-based blogging and communication.”

The collaboration for "Wrapped" that started in Seoul, Korea earned Mark the distinction of being one of the ten artists short-listed for the Ateneo Art Awards 2008. Awarding will be on August 7 at the Grand Atrium of the Shangri-La Mall in Mandaluyong.